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Thesis On Hoagrth

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Thesis On Hoagrth

You can read more about our the marketing techniques of william hogarth (1697-1764), artist and engraver. Finally, i will discuss the work of paula rego, best known for her large-scale paintings of emotionally-charged domestic scenes. Hogarth is best known for the paintings and engravings that he termed modern moral subjects, exemplified by satirical series such as the harlots progress (1732) and the rakes progress (1733-5).

The dissertation will investigate how hogarthian re-workings by artists david hockney in the early 1960s lubaina himid in the mid-1980s and paula rego in 1999-2000, modify andor expound upon narratives of gender and sexuality that are already present in the eighteenth century artists narrative series. By continuing to browse this repository, you give consent for essential cookies to be used. Recent scholarship on hogarth has increasingly focused on the artists diverse representations of eighteenth-century london life, his numerous images of servants of african descent, french dancing masters and italian castrati.

. Rake recounts the tale of tom rakewell, a merchants son whose exuberant spending and moral decay, aided by a procession of effeminate french dancing masters, prostitutes and criminals, leads to his final residence, the madhouse bedlam. The prospect of art becoming as much a commercial entity as an endorsement of cultural status provided enterprising artists such as william hogarth with the opportunity to satisfy the requirements of an expanding, diverse and literate audience on terms with which they would be familiar.

In 1986, himid produced a large-scale installation entitled a fashionable marriage. These cautionary yet humorous tales evince a period of great social, political, economic and cultural transformation in england, a time of profound change wrought by colonial enterprise, an increasingly powerful middle class, and a heightened public interest in moral questioning. It also provides fresh evidence of which newspapers were most advertised in and the prints which featured most frequently.

Unsurprisingly, for many contemporary artists, hogarths narratives provide a complex visual template for a host of present-day issues regarding race, gender, sexuality and national identity. Regos triptych entitled after hogarth betrothal lessons wreck (1999-2001), like much of her work, reveals the psychological anxieties and ambiguities of gender relations and, in a broader sense, human interaction. Hogarths progress modern moral subjects in the work of david hockney, lubaina himid and paula rego hogarths progress modern moral subjects in the art of david hockney, lubaina himid and paula rego hogarths progress modern moral subjects in the work of david hockney, lubaina himid and paula rego, examines three late twentieth-century, british appropriations of william hogarths narrative series.

The three contemporary works examined here engage with two works by hogarth marriage-a-la-mode (1745), which chronicles the doomed union of an earls son and the daughter of a wealthy merchant, who sells her in marriage to obtain a higher social standing, and the rakes progress. For hockney, himid and rego, hogarths contradictory evocations of eighteenth century london society provide a complex visual template for a host of contemporary issues such as race, gender, sexuality and national identity. Chapter five reveals the extent to which auction sales in london, as unregulated sales events, responded to, and assisted in the commercialisation of art as an exchangeable commodity once it had left the artists hands. Chapter one outlines the conceptual framework for the analysis and interpretation of contemporary society in the early eighteenth-century. I will first examine david hockneys early 1960s rakes progress, a series of 16 etchings loosely based on the artists first visit to the united states, an insertion of his own personal narrative into hogarths tale of moral decline.


The marketing techniques of William Hogarth (1697-1764 ...


May 22, 2014 ... Masters thesis, Durham University. ... artists such as William Hogarth with the opportunity to satisfy the ...

Thesis On Hoagrth

Hogarth's Progress: "Modern Moral Subjects" in the Work of ...
The dissertation will investigate how Hogarthian re-workings by artists David Hockney in the early 1960s; Lubaina ...
Thesis On Hoagrth artists such as William Hogarth with the opportunity to satisfy the . In 1986, himid produced a large-scale installation entitled a fashionable marriage. These key entrepreneurial activities are considered alongside the securing of intellectual property rights for artists by hogarth through his successful promotion of the engravers copyright act 1735 which made artists independently responsible for the production and distribution of their own work. Chapter five reveals the extent to which auction sales in london, as unregulated sales events, responded to, and assisted in the commercialisation of art as an exchangeable commodity once it had left the artists hands. Chapter two provides an overview of the background and upbringing of william hogarth and the trajectory of his career as he became influenced by commercial opportunity and the prospect of a more open and diverse market for art. Although hogarths work has been appropriated by a wealth of artists from the eighteenth through twentieth centuries for a wide variety of uses, this dissertation will examine how three relatively recent quotations employ hogarth as an ally in subversion, while simultaneously making use of hogarths stature within the english art historical canon.
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    Chapter four analyses the use of advertising in london newspapers by william hogarth and the specific strategies he adopted on a print by print basis. Unsurprisingly, for many contemporary artists, hogarths narratives provide a complex visual template for a host of present-day issues regarding race, gender, sexuality and national identity. Chapter three identifies technical developments in print and publishing during the period and demonstrates how these and the subscription process provided william hogarth with commercial opportunities not previously available to artists. We use cookies to ensure that we give you the best experience on our website. Chapter one outlines the conceptual framework for the analysis and interpretation of contemporary society in the early eighteenth-century.

    I will then investigate the work of lubaina himid, who initiated a black women artists movement in 1980s london. . I will first examine david hockneys early 1960s rakes progress, a series of 16 etchings loosely based on the artists first visit to the united states, an insertion of his own personal narrative into hogarths tale of moral decline. These key entrepreneurial activities are considered alongside the securing of intellectual property rights for artists by hogarth through his successful promotion of the engravers copyright act 1735 which made artists independently responsible for the production and distribution of their own work. Chapter five reveals the extent to which auction sales in london, as unregulated sales events, responded to, and assisted in the commercialisation of art as an exchangeable commodity once it had left the artists hands.

    The creation by hogarth of the visually attractive subscription ticket as an artistic item in its own right is considered along with a social analysis of sixty-four signed subscription tickets as a guide to audience composition. The work employs scene 4 of hogarths marriage-a-la-mode series to critique the racist and sexist policies of the london art world during this period. For hockney, himid and rego, hogarths contradictory evocations of eighteenth century london society provide a complex visual template for a host of contemporary issues such as race, gender, sexuality and national identity. Hogarth is present as the key driving factor in all three works, yet also to be considered is the role that hockney, as a critical figure in late twentieth-century art, played in the construction of both himid and regos later works. The prospect of art becoming as much a commercial entity as an endorsement of cultural status provided enterprising artists such as william hogarth with the opportunity to satisfy the requirements of an expanding, diverse and literate audience on terms with which they would be familiar. Rake recounts the tale of tom rakewell, a merchants son whose exuberant spending and moral decay, aided by a procession of effeminate french dancing masters, prostitutes and criminals, leads to his final residence, the madhouse bedlam. Recent scholarship on hogarth has increasingly focused on the artists diverse representations of eighteenth-century london life, his numerous images of servants of african descent, french dancing masters and italian castrati. This demonstrates the extent to which the quest for cultural capital of an increasingly large consumer base exerted a formative influence on the commercial and marketing techniques of eighteenth -century art. Also critical to this study is the relationship between the three contemporary artists. Although hogarths work has been appropriated by a wealth of artists from the eighteenth through twentieth centuries for a wide variety of uses, this dissertation will examine how three relatively recent quotations employ hogarth as an ally in subversion, while simultaneously making use of hogarths stature within the english art historical canon.

    visual record found in the prints of Hogarth and Rowlandson. This thesis briefly examines the religious and legal ...

    Biography and Autobiography at the Hogarth Press - TSpace

    The subject of this thesis is the biographies and autobiographies published by Leonard and. Virginia Woolf's Hogarth ...